Shekhawati

There are also forts, minor castles, mosques, step-wells (called ‘baoris’) and chattris. The Rajputs mostly depicted the themes of historical events, personage, folk-heroes and prominent war scenes, while the Marwaris concentrated more on religious themes. However, with the passage of time and advent of the British their motifs too began change.


As the authority of the Mughal empire weakened following the death of Emperor Aurangzeb in 1707 AD, the descendants of Rao Shekha grabbed the territory west of Aravali Range. The chieftains of the region still acknowledged the suzerainty of Amber ruler who conferred the title of Tazmi Sardar on them. It was probably their exposure to the royal court in Jaipur that piqued their interest in the art of frescos.

In the beginning of the 19th century, with the establishment of Major parts like Calcutta now Kolkata) and Bombay (now Mumbai) by the British, the focus shifted from the ports of Gujarat, thus adversely affecting the commercial activities of the region. In the meantime, the contact between Jaipur and Shekhawati became tenuous and commerce on this route came to a standstill. In due course of time, the Shekhawati trade route was almost abandoned. This shattered the once flourishing economy of the region. This seasoned Shekhawati merchants were thus constrained to migrate to greener pastures like Calcutta and Bombay, where they established themselves and earned huge wealth by dint of diligence and business acumen. They repatriated this wealth to their home towns where it was utilized for building havelis and schools, promoting social welfare, digging wells and constructing reservoirs.